Omission as Structure
There’s a difference between leaving something out and building something around what can’t ever be fully known or understood. That difference defines Structural Omission, a
These essays are where I think in public about painting, perception, and the post-certainty era. They grow out of my studio work and out of Structural Omission, the framework I developed to hold the limits of observation, perception, and knowing inside realist and representational painting.
To cut straight to the theory start with one of these:
• Realism in the Age of AI: How Structural Omission Grounds Representational Painting in Perceptual Limits
• Structural Omission: A Framework for Representational Painting in the Post-Certainty Era
• The Artist Doesn’t Know: Epistemological Limits of Representation
There’s a difference between leaving something out and building something around what can’t ever be fully known or understood. That difference defines Structural Omission, a

Structural Omission, originated by Deborah Scott, is a framework in contemporary realist painting that structures images around load-bearing absences, revealing the limits of perception, narrative,
Strategic Indeterminacy and Its Limits Luc Tuymans and Michaël Borremans are often associated with what critics call strategic indeterminacy. Their paintings hover between legibility and opacity, offering
Structural Omission: The Architecture of the Unknowable Most realist painting still operates on the assumption that everything can be rendered visible. That we can see

https://youtu.be/PmiNVGYdhIg?si=u6gqQR4rUQBCJ7f3I’m excited to share a new short film produced by art historian and critic John Seed, profiling my work and the conceptual framework I’ve been
In 2025, art historian and critic John Seed introduced my framework, Structural Omission, in a narrated presentation hosted on his YouTube channel. The script was
We live in a post-certainty era. Many feel it, whether they name it or not. Grand narratives have collapsed, institutions have lost trust, and consensus
. There’s a familiar argument in art writing: that omission is a technique. A deliberate choice to leave something out, to create ambiguity or provoke
Occasionally, when I share a new painting, I hear: “That feels surreal.” It’s not. Calling it that erases what is actually at stake. What Surrealism

Structural Omission Is Not Non-Finito When people first encounter my paintings, the visible gaps and disruptions can look like incompletion. Art history has a name