Tablas de Daimiel III

Tablas de Daimiel III renders a wooden boardwalk threading through marsh reeds and dark water beneath a pale sky, with enough specificity to locate the viewer in the park, while Venetian red ground at the edges and through sky passages functions as load-bearing structure. These zones reshape how the path can be read: continuity of ground and air is held alongside what remains beyond full knowing. The composition keeps tension between the boardwalk’s forward pull and the exposed ground that interrupts a single spatial certainty. Painted during the Arte y Naturaleza residency at Tablas de Daimiel (2026), this work tests Structural Omission in a built passage through wetland terrain.