Tablas de Daimiel IV

Tablas de Daimiel IV renders a small lake and treeline at the upper left while most of the canvas remains exposed Venetian red ground, with a single blue-grey water stroke lower right. The knowable passage is minimal; the ground is maximal. That proportion is the argument: Structural Omission here makes the limits of knowing visible as architecture, not as incomplete illustration. The composition holds between the rendered fragment and the field of bare tone that surrounds it. Painted at Tablas de Daimiel National Park during the Arte y Naturaleza residency (2026), this work pushes the framework toward epistemic landscape: a small claim of sight in a surface that will not close.