Works

These paintings marked early chapters in the development of Structural Omission, a framework I continue to build.

Painting of a figure of a woman seated with cats in a domestic interior, framed through omissions revealing the limits of perception and narrative closure. By Deborah Scott, part of her Structural Omission framework. Deborah Scott Art.

It Made Sense to Her
2025, 40″x24″
Oil and mixed media on canvas

Painting of a figure of a woman in a white dress standing on a path with birds above, framed through omissions revealing the limits of perception and narrative closure. By Deborah Scott, part of her Structural Omission framework. Deborah Scott Art.

The Path Split Long Before She Noticed   
2025, 40″x24″
Oil and mixed media on canvas

Painting of a figure of a woman standing in a patterned interior wearing clock shoes, framed through omissions revealing the limits of perception and narrative closure. By Deborah Scott, part of her Structural Omission framework. Deborah Scott Art.

She Stood in a Place That Would ot Hold
2025, 40″x24″
Oil and mixed media on canvas

Painting of a figure of a woman in a white dress holding a bag of sugar on a bridge, framed through omissions revealing the limits of perception and narrative closure. By Deborah Scott, part of her Structural Omission framework. Deborah Scott Art.

Pancreas 
2024, 40″x24″
Oil and mixed media on canvas

Painting of a portrait of a girl reflected in a mirror, framed through omissions revealing the limits of perception and narrative closure. By Deborah Scott, part of her Structural Omission framework in the Post-Certainty Era, exploring structural incompleteness. Deborah Scott Art.

Still, She Checked Again 
2025, 24″x18″
Oil and mixed media on canvas

Painting of a portrait of a young woman in a green sweatshirt resting her face on her hand, framed through omissions revealing the limits of perception and narrative closure. By Deborah Scott, part of her Structural Omission framework. Deborah Scott Art.

Aliyah   
2023, 24″x18″
Oil and mixed media on canvas
Placed in Private Collection

Painting of a figure of a woman standing on a pedestal with red rope winding around her body, framed through omissions revealing the limits of perception and narrative closure. By Deborah Scott, part of her Structural Omission framework. Deborah Scott Art.

Red Rope, Pedestal, and Power
2013, 40″x24″
Oil and mixed media on canvas

Painting of a figure of a young girl in a black dress holding a rifle while standing barefoot among dense foliage, framed through omissions revealing the limits of perception and narrative closure. By Deborah Scott, part of her Structural Omission framework. Deborah Scott Art.

Facing Life and Destiny  
2012, 40″x24″
Oil and mixed media on canvas
Placed in a Private Collection

Into flat space structural omission painting by deborah scott 2012 girl looking into a full length mirror in a purple rooms surrounded by venetian red omissions

Pamela Belyea  
60″x36″
Oil and mixed media on canvas
Permanent Collection, Gage Academy of Ar

Temperance  
2011, 60″x36″
Oil and mixed media on canvas

Man in an orange shirt and white pants balances on a tightrope, holding a purple ball and a green ball, with wooden roller coasters faintly in the background. Structural omissions disrupt the surface, reflecting Deborah Scott’s Structural Omission framework. Deborah Scott Art.

Balance  
60″x24″
Oil and mixed media on canvas
Placed in a Private Collection

Oil and mixed media on canvas by Deborah Scott depicting a woman with short blonde hair in a white blouse and ripped jeans, arms crossed, before a tall stone tower, Structural Omission.

Amazon Delivered Scissors 
2012, 40″x24″
Oil and mixed media on canvas
Placed in a Private Collection

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